| BIBLIOGRAPHY Books and Articles by Ansel Adams Selected books and articles about Ansel Adams WEB LINKS OF RELATED TOPICS Ansel Adams Biography, www.zpub.com/sf/history/adams.html Timeline of Photography, Photographic Processes, Center for Creative Photography, www.photographymuseum.com Pinhole Photography, http://www.youdesignit.com/resources/pinhole-photography History of Photography, PBS Art AtoZ / Photography, http://www.antiquesatoz.com/artatoz/photo.htm Learn About Large Format Photography, http://www.cs.berkeley.edu:80/~qtluong/photography/lf/ Photography, http://www.artic.edu/aic/index.html Masters of Photography, http://www.masters-of-photography.com National Museum of American Art The American Museum of Photography, www.photographymuseum.com Education Planet, www.educationplanet.com Photography - Lesson Plans A Guide to Depth of Field Complete Guide to eCommerce Photography Protect Photos, Documents And Other Papers From Natural Destruction Over Time BIBLIOGRAPHY Adams, Ansel. And Mary Austin. Taos Pueblo. San Francisco: Ansel Adams, 1930. _____"Photography." Fortnightly, November 6, December 4, and December 18, 1931 _____"The New Photography." In Modern Photography 1934-35, The Studio Annual of Camera Art. London and New York: The studio Publications, Inc., 1934. _____"An Exposition of Technique" (January), "Landscape" (February), "Portraiture" (March), and "Applied Photography" (April). Camera Craft, 1934. _____Making A Photograph. London and New York: The Studio Publications, 1935. _____"A Personal Credo." Camera Craft, January, 1935. _____Sierra Nevada: The John Muir Trail. Berkeley: Archetype Press, 1938. _____Ed. Stanley Plumb. The Four Seasons in Yosemite National Park: A Photographic Story of Yosemite's Spectacular Scenery. Yosemite, Calif.: Yosemite Park and Curry Company, 1936. _____Ed. Willard D. Morgan and Henry M. Lester. "The New Expanding Photographic Universe." In Miniature Camera Work. New York: Morgan & Lester, 1938. _____"Discussion of Filters" and "Photo-Murals." U.S. Camera, 1940. _____And Virginia Adams. Michael and Anne in Yosemite Valley. London and New York: The Studio Publications, 1941. _____Born Free and Equal: Photographs of the Loyal Japanese-Americans at Manzanar Relocation Center, Inyo County, California. New York: U.S. Camera, 1944. And Virginia Adams. Illustrated Guide to Yosemite. San Francisco: H.S. Crocker, 1946. _____Camera and Lens. New York: Morgan & Morgan, 1948. _____The Negative. New York: Morgan & Morgan, 1948._____Yosemite and the High Sierra. Ed. Charlotte E. Maul, Boston: Houghton Mifflin Co., 1948. _____The Print. New York: Morgan & Morgan, 1950. _____My Camera In Yosemite Valley. Yosemite, Calif. and Boston: Virginia Adams and Houghton Mifflin Co., 1950. _____My Camera In The National Parks. Yosemite, Calif. and Boston: Virginia Adams and Houghton Mifflin Co., 1950. _____And Mary Austin. The Land Of Little Rain. Boston: Houghton Mifflin Co., 1950. _____Natural-Light Photography. New York: Morgan & Morgan, 1952. _____With Nancy Newhall. "Canyon de Chelly National Monument" (June 1952), "Sunset Crater" (July 1952), "The Shell of Tumacacori" (November 1952), "Death Valley" (October 1953), "Organ Pipe" (January 1954), "Mission San Xavie del Bac" (April 1954), and "Mary Austin's Country" (April 1968). Arizona Highways. _____And Nancy Newhall. Death Valley. Palo Alto, Calif.: 5 Associates, 1954. _____And Nancy Newhall. San Xavier del Bac. Palo Alto, Calif.: 5 Associates, 1954. _____And Nancy Newhall. The Pageant of History in Northern California. San Francisco: American Trust Company, 1954. _____Artificial-Light Photography. New York: Morgan & Morgan, 1956. _____And Edward Joesting. The Islands of Hawaii. Honolulu: Bishop National Bank of Hawaii, 1958. _____And Nancy Newhall. Yosemite Valley. Palo Alto, Calif.: 5 Associates, 1959 _____And Nancy Newhall. This is the American Earth. San Francisco: Sierra Club, 1960. _____And Edwin Corle. Death Valley and the Creek Called Furnace. Los Angeles: Ward Ritchie, 1962. _____These We Inherit: The Parklands of America. San Francisco: Sierra Club, 1962. _____Polaroid Land Photography. New York: Morgan & Morgan, 1963. _____And Edward Joesting. An Introduction to Hawaii. Palo Alto: 5 Associates, 1964. _____And Nancy Newhall. A More Beautiful America. New York: American Conservation Association. 1965. _____And Nancy Newhall. Fiat Lux: The University of California. New York: McGraw-Hill, 1967. _____And Nancy Newhall. The Tetons and Yelowstone. Palo Alto: 5 Associates, 1970. _____Ed. Lilane De Cock. Ansel Adams. New York: Morgan & Morgan, 1972. _____Images: 1923-1974. Boston: New York Graphic Society, 1974. _____Singular Images. New York: Morgan & Morgan, 1974. _____The Horace M. Albright Conservation lectureship: The Role of the Artist in Conservation. Berkeley: University of California, College of Natural Resources, department of Forestry and Conservation, 1975. _____Photographs of the Southwest. Boston: New York Graphic Society, 1976. _____The Portfolios of Ansel Adams, 1977. New edition. Boston: New York Graphic Society, 1981. _____"Conversations with Ansel Adams," an oral history constructed in 1972, 1974, 1975 by Ruth Teiser and Catherine Harroun, Regional Oral History Office, The Bancroft Library, University of California, Berkeley, 1978. _____With Robert Baker. Polaroid Land Photography. Boston: New York Graphic Society, 1978. _____Yosemite and the Range of Light. Boston: New York Graphic Society, 1978. _____With Robert Baker. The Camera. Boston: New York Graphic Society, 1980. _____With Robert Baker. The Negative. Boston: New York Graphic Society, 1981. _____With Robert Baker. The Print. Boston: New York Graphic Society, 1983. _____Examples: The Making of 40 Photographs. Boston: New York Graphic Society, 1983. _____With Mary Street Alinder. Ansel Adams: An Autobiography. Boston: New York Graphic Society, 1985. _____Ansel Adams: Classic Images. Boston: New York Graphic Society, 1986. _____Ed. Mary Street Alinder and Andrea Gray Stillman. Ansel Adams: Letters and Images, 1916 -1984. Boston: Little Brown and Co., 1988. _____The American Wilderness. Boston: New York Graphic Society, 1991. _____Our National Parks. Boston: New York Graphic Society, 1992 _____And John P. Schaefer. Basic Techniques of Photography: An Ansel Adams Guide. Boston: Little Brown and Co., 1992. _____Ed. Harry M. Callahan. Ansel Adams in Color. Boston: Bullfinch Press, 1993 _____Yosemite Valley. Boston: Little Brown and Co., 1994. _____Yosemite. Boston: Little Brown and Co., 1995. Selected books and articles about Ansel Adams
Alinder, James. Ansel Adams: 50 Years of Portraits. Carmel, Calif.,: The Friends of Photography, 1978. Cahn, Robert. "Ansel Adams: Environmentalist." Sierra (Sierra Club), May-June, 1979 Newhall, Nancy. The Eloquent Light. San Francisco: The Sierra Club, 1963. Reprinted, Millerton, NY: Aperture, 1980. Gray, Andrea. Ansel Adams: An American Place, 1936. Tucson: Center for Creative Photography, 1982. Alinder, James. Ansel Adams: 1902-1984. Carmel, Calif.,: The Friends of Photography, 1984. Esterow, Milton. "Ansel Adams: The Last Interview." ARTnews 83, no. 6 (summer 1984): 89. Hambourg, Maria Morris. The New Visions: Photography Between the Wars. New York: Metropolitan Museum of Art, 1989. Newhall, Nancy. From Adams to Steiglitz: Pioneers of Modern Photography. New York; Aperture,1989. Altshuler, Bruce. The Avant Garde in Exhibition. New York: Harry N. Abrams, 1994. Spaulding, Jonathan. Ansel Adams and the American Landscape. New York: Metropolitan Museum of Art, 1995. Alinder, Mary Street. Ansel Adams: A Biography. New York: Henry Holt and Company, 1996. |
| BIBLIOGRAPHY Books and Articles by Ansel Adams Selected books and articles about Ansel Adams WEB LINKS OF RELATED TOPICS Ansel Adams Biography, www.zpub.com/sf/history/adams.html Timeline of Photography, Photographic Processes, Center for Creative Photography, www.photographymuseum.com Pinhole Photography, http://www.youdesignit.com/resources/pinhole-photography History of Photography, PBS Art AtoZ / Photography, http://www.antiquesatoz.com/artatoz/photo.htm Learn About Large Format Photography, http://www.cs.berkeley.edu:80/~qtluong/photography/lf/ Photography, http://www.artic.edu/aic/index.html Masters of Photography, http://www.masters-of-photography.com National Museum of American Art The American Museum of Photography, www.photographymuseum.com Education Planet, www.educationplanet.com Photography - Lesson Plans A Guide to Depth of Field Complete Guide to eCommerce Photography Protect Photos, Documents And Other Papers From Natural Destruction Over Time BIBLIOGRAPHY Adams, Ansel. And Mary Austin. Taos Pueblo. San Francisco: Ansel Adams, 1930. _____"Photography." Fortnightly, November 6, December 4, and December 18, 1931 _____"The New Photography." In Modern Photography 1934-35, The Studio Annual of Camera Art. London and New York: The studio Publications, Inc., 1934. _____"An Exposition of Technique" (January), "Landscape" (February), "Portraiture" (March), and "Applied Photography" (April). Camera Craft, 1934. _____Making A Photograph. London and New York: The Studio Publications, 1935. _____"A Personal Credo." Camera Craft, January, 1935. _____Sierra Nevada: The John Muir Trail. Berkeley: Archetype Press, 1938. _____Ed. Stanley Plumb. The Four Seasons in Yosemite National Park: A Photographic Story of Yosemite's Spectacular Scenery. Yosemite, Calif.: Yosemite Park and Curry Company, 1936. _____Ed. Willard D. Morgan and Henry M. Lester. "The New Expanding Photographic Universe." In Miniature Camera Work. New York: Morgan & Lester, 1938. _____"Discussion of Filters" and "Photo-Murals." U.S. Camera, 1940. _____And Virginia Adams. Michael and Anne in Yosemite Valley. London and New York: The Studio Publications, 1941. _____Born Free and Equal: Photographs of the Loyal Japanese-Americans at Manzanar Relocation Center, Inyo County, California. New York: U.S. Camera, 1944. And Virginia Adams. Illustrated Guide to Yosemite. San Francisco: H.S. Crocker, 1946. _____Camera and Lens. New York: Morgan & Morgan, 1948. _____The Negative. New York: Morgan & Morgan, 1948._____Yosemite and the High Sierra. Ed. Charlotte E. Maul, Boston: Houghton Mifflin Co., 1948. _____The Print. New York: Morgan & Morgan, 1950. _____My Camera In Yosemite Valley. Yosemite, Calif. and Boston: Virginia Adams and Houghton Mifflin Co., 1950. _____My Camera In The National Parks. Yosemite, Calif. and Boston: Virginia Adams and Houghton Mifflin Co., 1950. _____And Mary Austin. The Land Of Little Rain. Boston: Houghton Mifflin Co., 1950. _____Natural-Light Photography. New York: Morgan & Morgan, 1952. _____With Nancy Newhall. "Canyon de Chelly National Monument" (June 1952), "Sunset Crater" (July 1952), "The Shell of Tumacacori" (November 1952), "Death Valley" (October 1953), "Organ Pipe" (January 1954), "Mission San Xavie del Bac" (April 1954), and "Mary Austin's Country" (April 1968). Arizona Highways. _____And Nancy Newhall. Death Valley. Palo Alto, Calif.: 5 Associates, 1954. _____And Nancy Newhall. San Xavier del Bac. Palo Alto, Calif.: 5 Associates, 1954. _____And Nancy Newhall. The Pageant of History in Northern California. San Francisco: American Trust Company, 1954. _____Artificial-Light Photography. New York: Morgan & Morgan, 1956. _____And Edward Joesting. The Islands of Hawaii. Honolulu: Bishop National Bank of Hawaii, 1958. _____And Nancy Newhall. Yosemite Valley. Palo Alto, Calif.: 5 Associates, 1959 _____And Nancy Newhall. This is the American Earth. San Francisco: Sierra Club, 1960. _____And Edwin Corle. Death Valley and the Creek Called Furnace. Los Angeles: Ward Ritchie, 1962. _____These We Inherit: The Parklands of America. San Francisco: Sierra Club, 1962. _____Polaroid Land Photography. New York: Morgan & Morgan, 1963. _____And Edward Joesting. An Introduction to Hawaii. Palo Alto: 5 Associates, 1964. _____And Nancy Newhall. A More Beautiful America. New York: American Conservation Association. 1965. _____And Nancy Newhall. Fiat Lux: The University of California. New York: McGraw-Hill, 1967. _____And Nancy Newhall. The Tetons and Yelowstone. Palo Alto: 5 Associates, 1970. _____Ed. Lilane De Cock. Ansel Adams. New York: Morgan & Morgan, 1972. _____Images: 1923-1974. Boston: New York Graphic Society, 1974. _____Singular Images. New York: Morgan & Morgan, 1974. _____The Horace M. Albright Conservation lectureship: The Role of the Artist in Conservation. Berkeley: University of California, College of Natural Resources, department of Forestry and Conservation, 1975. _____Photographs of the Southwest. Boston: New York Graphic Society, 1976. _____The Portfolios of Ansel Adams, 1977. New edition. Boston: New York Graphic Society, 1981. _____"Conversations with Ansel Adams," an oral history constructed in 1972, 1974, 1975 by Ruth Teiser and Catherine Harroun, Regional Oral History Office, The Bancroft Library, University of California, Berkeley, 1978. _____With Robert Baker. Polaroid Land Photography. Boston: New York Graphic Society, 1978. _____Yosemite and the Range of Light. Boston: New York Graphic Society, 1978. _____With Robert Baker. The Camera. Boston: New York Graphic Society, 1980. _____With Robert Baker. The Negative. Boston: New York Graphic Society, 1981. _____With Robert Baker. The Print. Boston: New York Graphic Society, 1983. _____Examples: The Making of 40 Photographs. Boston: New York Graphic Society, 1983. _____With Mary Street Alinder. Ansel Adams: An Autobiography. Boston: New York Graphic Society, 1985. _____Ansel Adams: Classic Images. Boston: New York Graphic Society, 1986. _____Ed. Mary Street Alinder and Andrea Gray Stillman. Ansel Adams: Letters and Images, 1916 -1984. Boston: Little Brown and Co., 1988. _____The American Wilderness. Boston: New York Graphic Society, 1991. _____Our National Parks. Boston: New York Graphic Society, 1992 _____And John P. Schaefer. Basic Techniques of Photography: An Ansel Adams Guide. Boston: Little Brown and Co., 1992. _____Ed. Harry M. Callahan. Ansel Adams in Color. Boston: Bullfinch Press, 1993 _____Yosemite Valley. Boston: Little Brown and Co., 1994. _____Yosemite. Boston: Little Brown and Co., 1995. Selected books and articles about Ansel Adams
Alinder, James. Ansel Adams: 50 Years of Portraits. Carmel, Calif.,: The Friends of Photography, 1978. Cahn, Robert. "Ansel Adams: Environmentalist." Sierra (Sierra Club), May-June, 1979 Newhall, Nancy. The Eloquent Light. San Francisco: The Sierra Club, 1963. Reprinted, Millerton, NY: Aperture, 1980. Gray, Andrea. Ansel Adams: An American Place, 1936. Tucson: Center for Creative Photography, 1982. Alinder, James. Ansel Adams: 1902-1984. Carmel, Calif.,: The Friends of Photography, 1984. Esterow, Milton. "Ansel Adams: The Last Interview." ARTnews 83, no. 6 (summer 1984): 89. Hambourg, Maria Morris. The New Visions: Photography Between the Wars. New York: Metropolitan Museum of Art, 1989. Newhall, Nancy. From Adams to Steiglitz: Pioneers of Modern Photography. New York; Aperture,1989. Altshuler, Bruce. The Avant Garde in Exhibition. New York: Harry N. Abrams, 1994. Spaulding, Jonathan. Ansel Adams and the American Landscape. New York: Metropolitan Museum of Art, 1995. Alinder, Mary Street. Ansel Adams: A Biography. New York: Henry Holt and Company, 1996. |